Also, I reviewed a bunch of films over the last couple of weeks that I saw as part of the Portland International Film Festival, including such anticipated releases as A Prophet, Fish Tank, and Police, Adjective, and the new work of Ken Loach, Marco Bellocchio, and Bong Joon-ho. You can see all my pieces at my other blog, here.
* Shutter Island, Martin Scorsese's pulpy Dennis Lehane adaptation. Over-the-top B-movie excitement, sure to inspire debate.
* The Wolfman, needs to disappear gently into that dark night. What a tragic bore!
* The White Ribbon, Michael Haneke's Oscar-nominated black-and-white period piece. The most affecting morality play ever, or the most affected bunch of twaddle? Can't decide
* Buena Vista Social Club, a by-numbers reissue of the Wim Wenders musical doc, part of Lionsgate's Music Makers series.
* Eleven Minutes, a documentary about the (annoying) first winner of Project Runway.
* Orson Welles in King Lear, a somewhat stiff 1950s television broadcast.
* Rod Serling - Studio One Dramas, two live teleplays from the master writer.
* Sarah Silverman Progam: Season Two, Part 2, a hilarious collection of episodes skewering the sitcom format in Silverman's inimitable way.
* Split Second, a B-movie that drops a nuclear bomb on the crime genre. Directed by Dick Powell, who was Philip Marlowe once upon a time.
* Tell Them Anything You Want: A Portrait of Maurice Sendak, Spike Jonze and Lance Bangs give us a wonderful documentary about the Wild Things author.
* Wild Oranges, a lusty King Vidor silent picture.
I absolutely hate none of these.
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