Showing posts with label king vidor. Show all posts
Showing posts with label king vidor. Show all posts

Saturday, November 3, 2012

SIDELINE: MORE REVIEWS FOR 10/12

My reviews of non-Criterion movies through October.


IN THEATRES...

* Argo, Ben Affleck takes a true story about a fake movie and turns it into genuine cinema.

* Bill W., a documentary about the man behind Alcoholics Anonymous

* Chicken with Plums, Vincent Paronnaud and Marjane Satrapi's disappointing follow-up to Persepolis. 

* Flight, starring Denzel Washington and directed by Robert Zemeckis. Apparently even turkeys can fly upside down.

* Seven Pyschopaths, the comedy is dark and funny, the action appropriately visceral, but the second film from the director of In Bruges isn't as smart as it thinks it is.

* Sinister, half a good horror movie, half a bad one, and the better half doesn't make it worth the time.

* If you live in Portland is to attend the Alfred Hitchcock festival at Cinema 21. Here is what I wrote up for the Mercury.



ON BD/DVD...

* Bird of Paradise, a pre-Code picture from King Vidor, indulging in island fantasy cliches.

* Black Sunday, Mario Bava's 1960 horror debut is spooky and sexy.

* Chained, Jennifer Lynch's psychological horror movie doesn't quite link up.

* Cinderella, Disney's animated fairy tale comes to Blu-Ray. It looks marvelous, even if it is one of the studio's more middling efforts.

* Confessions of an Opium Eater, in which Vincent Price goes on a trip through Chinatown.

* Detachment, an arty drama about teachers overstuffs the lesson plan, but Adrien Brody and thre rest of the cast are great.

* Fear and Desire, the "lost" first film of Stanley Kubrick.

* Mad Men: Season Five, the best show on television keeps getting better.

* The Penalty, a potent silent film starring Lon Chaney as a double-amputee bent on revenge.

* Shut Up and Play the Hits, the documentary about LCD Soundsystem's last gig; features the full three-hour concert.

* Three Secrets, Robert Wise's 1950 melodrama about a trio of women who may or may not be the mother of a young boy stranded on a mountain.

* The Woodmans, a moving documentary about late photographer Francesca Woodman and the effect her suicide has had on her family.





Sunday, February 28, 2010

SIDELINE: MORE REVIEWS FOR 02/10, plus CRITERION ON HULU

After launching their YouTube channel last month, Criterion has now also started a Hulu channel, beginning with the first six Zatoichi movies. Details here.

Also, I reviewed a bunch of films over the last couple of weeks that I saw as part of the Portland International Film Festival, including such anticipated releases as A Prophet, Fish Tank, and Police, Adjective, and the new work of Ken Loach, Marco Bellocchio, and Bong Joon-ho. You can see all my pieces at my other blog, here.



IN THEATRES...

* Shutter Island, Martin Scorsese's pulpy Dennis Lehane adaptation. Over-the-top B-movie excitement, sure to inspire debate.

* The Wolfman, needs to disappear gently into that dark night. What a tragic bore!

* The White Ribbon, Michael Haneke's Oscar-nominated black-and-white period piece. The most affecting morality play ever, or the most affected bunch of twaddle? Can't decide

ON DVD...

* Buena Vista Social Club, a by-numbers reissue of the Wim Wenders musical doc, part of Lionsgate's Music Makers series.

* Eleven Minutes, a documentary about the (annoying) first winner of Project Runway.

* Orson Welles in King Lear, a somewhat stiff 1950s television broadcast.



* Rod Serling - Studio One Dramas, two live teleplays from the master writer.

* Sarah Silverman Progam: Season Two, Part 2, a hilarious collection of episodes skewering the sitcom format in Silverman's inimitable way.

* Split Second, a B-movie that drops a nuclear bomb on the crime genre. Directed by Dick Powell, who was Philip Marlowe once upon a time.

* Tell Them Anything You Want: A Portrait of Maurice Sendak, Spike Jonze and Lance Bangs give us a wonderful documentary about the Wild Things author.

* Wild Oranges, a lusty King Vidor silent picture.