Monday, May 6, 2013

SIDELINE: MORE REVIEWS FOR 4/13

Ah, it's that time of year where I start running behind, isn't it?

Well, here are the reviews for other movies from April...


IN THEATRES...

* The Angels' Share, a heartwarming Ken Loach dramedy about a whisky heist. Let me in on that action!

* The Place Beyond the Pines, an unwieldy family story from the director of Blue Valentine. Are literary pretensions and a strong cast enough to overcome a director's indulgences?

* Room 237, like a collapsing wormhole of internet crazy, a tape loop of nonsense about Stanley Kubrick's The Shining.

* To the Wonder, the latest from Terrence Malick is beautiful and emotionally provocative.

* Trance, wherein Danny Boyle uses Rosario Dawson's private parts to try to hypnotize you into believing that he's not just pulling the same old bullshit.


My Oregonian columns...

* April 5: two festivals come to town: the Polyester Pulp series of 1970s crime films and the disjointed Beer and Music Fest. Plus, Thale, a creepy Scandinavian folk tale turned into a creepy modern movie.

* April 12: the environmental documentary Trashed, featuring the very serious face of Jeremy Irons; Elliott Gould and Christopher Plummer in weird and grisly The Silent Partner; and, hey, another environmental disaster in the schlocky 100 Degress Below Zero.

* April 19: Two recent French films, Women on the Sixth Floor and Tomboy, and two 1950s classics, The Little Fugitive and Imitation of Life.

* April 26: Emily Mortimer in the historical drama Leonie, an indie debut called Everything Went Down, and Peter Gabriel in concert.


ON BD/DVD...

* 28 Hotel Rooms, an indie romance with an interesting story structure.

* The Devil and Miss Jones, a delightful class comedy from 1941, starring the wonderful Jean Arthur.

* Hemingway & Gellhorn, literary legacies desecrated, good actors embarrassing themselves, and a myriad of other reasons why this is one of the worst movies I've seen in a long time.

* A Message to Garcia, a poor presentation of an otherwise decent early Barbara Stanwyck vehicle.

* Not Fade Away, a rock 'n' roll drama from Sopranos-creator David Chace.

* Once More, with Feeling! a middling Stanley Donen effort from 1959.

* The Sun Shines Bright, John Ford's friendly portrait of a Kentucky judge and his community ca. 1905. If you can look past some of the troublesome racial elements, the film actually has a surprising message of unity.

* Tatsumi, the animated biography of influential manga creator Yoshihiro Tatsumi


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