Criterion Confessions

An Actor’s Revenge opens and closes in a theater, bookending its vengeance tale with performance and placing the audience in a comfortab...

Eschewing popular conceptions of Bollywood movies, India’s greatest filmmaker Satyajit Ray takes us not just backstage, but totally away ...

While I would eventually like to review each film of the Apu Trilogy in full, in the meantime, I am reposting my short review from The Oreg...

This is my second write-up of Wes Anderson's The Darjeeling Limited. You can read my older review here . What is below isn't actuall...

Thought not in the Criterion Collection officially as of yet, Satyajit Ray's seminal early films have been long rumored to be an upcomin...

By the time master Indian filmmaker Satyajit Ray made his 1984 film The Home and the World , he had been directing movies for nearly th...

It's too bad Criterion didn't release their edition of Satyajit Ray's The Music Room at the same time they released Wes Anders...

" Well, you've got your diamonds And you've got your pretty clothes And the chauffeur drives your car You let everybody know Bu...